Rutger Hauer, Jennifer Jason Leigh, C. Thomas Howell, quality character actors, and the cinematography of John Seale mak...

ELVIRA: MISTRESS OF THE DARK (1988) is a lighthearted, silly, and fun movie. Elvira is a great, compelling character, an...

How fun, how crazy, how creative, and how extremely strange is SOCIETY (1989)? Very! Once Screaming Mad George begins to...

John Carpenter's PRINCE OF DARKNESS (1987) features a complicated, intelligent story and possibly Carpenter's best score...

Directed by Michele Soavi and produced by Dario Argento, THE CHURCH (1989) features detailed sets, inventive kills, memo...

CANNIBAL HOLOCAUST (1980)! Brilliant? Influential? Manipulative? Difficult to watch? Frightening? Disturbing? Criminal? ...

David Cronenberg's DEAD RINGERS (1988) is a character study of twins (Jeremy Irons) whose downfall is facilitated by a w...

THE RETURN OF THE SWAMP THING doesn't measure up to Wes Craven's original or the comic source material. You might enjoy ...

FROM A WHISPER TO A SCREAM is an anthology featuring Vincent Price in the wraparound and a heckuva cast. The graphic vio...

SCREAMERS (aka The Island of the Fishmen) feels like an old-fashioned adventure with wildly inappropriate gore tacked on...

WARLOCK (1989) features Julian Sands, Richard Grant, and a kicking fog machine alongside some cheesy visual special effe...

Join the Grue Crew for the skinny on MADMAN (1981). Madman Marz, that is! Some of the worst music on this side of THE LE...

DARK NIGHT OF THE SCARECROW (1981) is a made-for-TV horror movie that, in the Grue Crew's opinion, just might rival the ...

THE BLACK CAT comes amidst some of Lucio Fulci's best work and features a strong story and a standout performance from P...

Peter Jackson's Bad Taste is a great combination of gore, splatter, comedy, and absurd scenarios from ambitious filmmake...

An excellent cast (Bill Paxton, wow!) and soundtrack make a good foundation for Kathryn Bigelow's NEAR DARK. Despite its...

Is CHILDREN OF THE CORN a classic or an overrated film? Did you love Isaac and Malachi but hate what the filmmakers did ...

THE PIT is a fascinating mess of a movie that epitomizes that certain something indicative of low-budget Canadian horror...

BASKET CASE is typical Frank Henenlotter: super weird and super messed up, mixing just the right amount of comedy with h...

What does the Grue Crew think of POSSESSION? Brilliance wrapped in a madness spiral with an amazing monster! Claustropho...

Based on a Clive Barker story and boasting a screenplay by himself, RAWHEAD REX does not have the feel of Barker's prose...

THE CHILDREN takes the what if you weren't you trope and tops it off with monster kids that kill, monster kids that get ...

The Grue Crew has a blast with Razorback. Directed by renowned music video director Russell Mulcahy, the film is stylist...

THE LAIR OF THE WHITE WORM is a Ken Russell movie. First you find a skull in the field, and then it just keeps getting w...

The story in NEON MANIACS seems almost random. Where do they come from? Water can destroy them, so why live under a brid...

SCARECROWS feels like being transported back to a theater in the 80s, watching a cheesy movie with outstanding makeup ef...

The 80s Crew is joined by Vanessa Thompson to discuss THE STEPFATHER (1987), a film driven by Terry OQuinn's performance...